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Mix Tap features Neutron 2’s high-pass filter and the new delay offset, polarity invert, sum-to-mono and L/R channel swap functions, and can communicate with instances of Neutron 2 on other tracks.The key Neutron analysis feature is Track Assistant, which automatically creates individualised starting point ‘presets’ for each track that Neutron 2 is instantiated on. In case that tips your CPU load over the edge, Neutron 2 also gives you the option of inserting a new lightweight Mix Tap plug-in. The ideal starting point for a Neutron 2-assisted mix is therefore to instantiate the plug-in on every track, at the end of any existing plug-in chains.
However, despite my enthusiasm, the basic point behind Mike Senior’s discomfort still stands: if the choices that Neutron 2 makes do not match your taste, then you may be better advised either to manually audition and select one of Neutron 2’s 500 or so well-indexed presets, or to create your own EQ/dynamics starting point in the traditional manner.Being the core of the Neutron 2 plug-in, Track Assistant is inseparable from it. Overall, I was quite happy to let Track Assistant set up starting points and to go from there, using the Undo History to step back if I made things worse rather than better. I was particularly taken by the new gate’s Hysteresis function, which applies a second threshold for closing 2dB below the opening threshold, making it more efficient and natural cleaning up low-level bleeds.Although Track Assistant’s EQ choices weren’t necessarily those that I might have made, they were always interesting, whilst the dynamics settings usually turned out to be good places to start from. The incorporation of advances in machine learning and intelligent audio processing, together with the increased number of presets and the improved instrument/dialogue/vocal detection, appear to have increased Neutron 2’s ability to find a good match with the character of the audio being analysed.Track Assistant’s new abilities — setting the ratio and attack and release times in single or multiband Compressors, setting the amount of drive in the Exciter, and setting the threshold in the Transient Shaper — were impressive in operation, as was the new multiband Gate. This process encompasses placing them in the optimum order, selecting single-band or multiband processing, calculating and creating an EQ curve, selecting the styles of compression and setting their parameters, setting the parameters of the new multiband gate and transient shaper, selecting and tuning the blend of Exciter algorithms, and adding Neutrino’s spectral shaping in order to improve focus and clarity.The new version of Neutron’s Track Assistant offers more intelligent and more varied customisation of presets to suit sources.Although my colleague Mike Senior was slightly underwhelmed by the original version, I rather liked this new and improved Track Assistant.
Although no audio actually passes through it, Visual Mixer is intended to sit as the last plug-in on the mix bus. Mix Tap has already been mentioned, while Visual Mixer and Tonal Balance Control are both intended for insertion into your DAW’s master bus. Balancing ActsVisual Mixer provides a focal point from which the pan, width and level of multiple Neutron instances can be adjusted.The Neutron 2 suite also incorporates three new separate plug-ins.
This is achieved by allowing you to compare the audio frequency energy distribution in your mix against one of three composite tonal balance ‘target curves’: Orchestral, Modern and Bass Heavy. Three mix snapshots can be saved, allowing a quick and easy A/B check on the effects of changing a mix without losing the original.Tonal Balance Control (shown in the main header screenshot of this review), meanwhile, is a visual equalisation analysis tool that is intended to ensure that your mix translates well across different music distribution systems and listening environments. Simple level metering is provided courtesy of a white dot in the centre of each track graphic, which expands and contracts to give you a visual indication of the balance across the soundfield. Since the communication between Visual Mixer and Neutron 2 or Mix Tap is bi-directional, changes made in one are reflected in the other.
Particle PhysicsNeutron 2 is complex, and this overview of the main aspects of its new features can only hint at its power. Since Tonal Balance Control communicates bi-directionally with the equalisers within all instances of Neutron 2 and (as we’ll come to) of Ozone 8, you can adjust the EQ of individual tracks to improve the overall spectral energy balance without leaving the plug-in during the mixing and/or mastering process. A separate Crest Factor Meter displays an analysis of the Low band that indicates the amount of compression in the low-frequency content of your mix, ranging from ‘too little’ to ‘too much’.To speed up the identification of problem areas, Tonal Balance Control allows you to solo a narrow band of your mix’s audio spectrum and to sweep that band across an offending area. In both views, energy distribution in your mix is shown as a white line that, ideally, should lie inside the boundaries of the target areas. Broad provides four horizontal bands called Low, Low-Mid, High-Mid and High, with crossover points at 250Hz, 2kHz and 8kHz, while Fine shows a broad, somewhat trunk-like curve that covers the full 20Hz-20kHz frequency range. Tonal Balance Control can also analyse single or multiple tracks whose spectral energy profiles you wish to emulate, producing custom target curves that you can save and use.Once selected, these targets can be displayed in one of two views.
Ozone 8As Neutron 2 is to mixing, Ozone 8 is to mastering, hence the debut of Master Assistant. Neutron 2 won’t turn you into a genius mix engineer, but it can help guide you towards making better mix decisions, especially if you take the time to analyse and understand what you do or don’t like about its choices. Analysing the modules and parameter settings that Neutron 2 chose, whether I liked them or not, was an experience that I would recommend to anyone looking to improve their mixing skills. Interestingly, Neutron 2 did come up with some proposals that I would not necessarily have reached on my own, and those usually turned out to be unexpected learning opportunities. For me, Neutron 2’s automatically generated starting points, lightly modified in light of my own preferences, generally resulted in mixes that I was happy with.
Other new features in Ozone 8 are Tonal Balance Control (which we’ve already taken a look at), Track Referencing and the Spectral Shaper module/plug-in.
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